I'm starting the entry off with James Jeans' provocative cover for this issue to take the sting out of what follows...which is nothing short of a gory exhumation and forensic reconstruction of the body of work that I submitted as Issue Ten. As I drew the issue, the Fables Forces had to initiated a tactical "re-arrangement" while on the march and Issue Ten became Issue Nine in order to protect the fast moving flanks of the Fables Juggernaut from enfilade. I love my crew, so it was no biggie.
I say "forensic" because the work and files sorta got lost in the wriggly-wrinkles of my brain, across the desktops and in the zippedy-zot wafers of two computers and suspended my email accounts data column going months back. I've spent over an hour reconstructing the corpse for this entry. Don't get me wrong, this is a pretty awesome corpse! I'm just trying to be clever. Which hurts...
Some of the DNA sequencing is spotty; Pages 9 and 10 are not loadable to this server, so you'll have to take your impression of these missing bits of evidence from the coroner's breaks. OK, you get my point...so don your latex gloves, protective goggles (or your "Sunglasses of Justice")and make sure David Caruso doesn't sidle up next to me during the autopsy(that guy creeps me large).
Begin breaks; you'll notice that until others on the crew noticed and yanked my leash, I was trying to sail Jack with a rougish Van Dyke. Time and degrees of grooming figure into every life. So Jack's chin-whiskers went the way of Anne Coulter's panties at a GOP fundraiser. No lie. But I just pretended that there was radio interference when they said to loose Gary's beard, too.
I don't care how many starts you seem to have, the first page is always anxiety-ridden and awkward. For me at least. It's like I don't know dick about the book from the last issue. Seriously, until Cinders reminded me that I had forgotten to post this issue, I had forgotten about drawing this issue!
Noelle is inspired by a woman I dated a couple of years back. I believe that some women, like C, reach a "critical mass" in scale and beauty and either go bonkers or become super-models. C was the former. We'd get together and by the end of the night I'd wonder why I didn't think bring a shovel and a sack of lime.
As Shelly says, "This is a "hair" book."
This breakdown of of pages 4,5 and 6 are the last of this degree of scratching we'll see. Somewhere between this page and the next, a matter of an hour or less, I picked up a Hunt 513 and started using it to bring something more indelible to this stage of work. And when I say "indelible" I mean "lovely-and-all-wise-editor proof" :~D
Well,damn! He's INKED it! It must be good!
"It's beginning to look a lot like Christmas!"
OK, so does panel 4 (below) read? I wanted Jack to appear to place dramatic emphasis on the dialog here by thrusting his junk into the air.
Here's them new breaks I was yammering about. Shiny, huhn?
Pages 7-8 contain some nice low-angle shots of Lady Lucks', um...demeanor. Advantageous this angle is in showing the contrails of airliners that may or may not be in the favor of her fortune.
Pages 9 and 10 I'll load at a later time. The files were Carusoed, I mean, corrupted .
You know, all those years storyboarding condescending talking waffles, obsequious boxes of tampons, feral dogs fugitive from the Outback selling car wax, spelling bunnies spared from predation and dancing dinnerware that disregard the Sabbath really pay off on this page!
Fuck! Look at those bastards jump!
Yes, that's the coveted iPhone.
Throughout the this arc I tried to present the casino as a real castle whenever and where ever possible.
Hey look! Bonus stuff! These are the attempts to beard-up our scoundrels for this arc.
Well, that's all I've got...keep reading Fables and Jack of Fables! But I don't have to tell you to do that, do I? Trust me, what's coming is so phuct up...It makes the Bush Administration look like Jessica Biel's butt: flawless.
h.e.
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