Monday, February 15, 2010
Sometimes I make a bit of noise about being a second-gen comic artist, apples do make some noise when they hit the ground, after all. If my father is considered a "pioneer" of color in comics, then I guess that makes Matt Baker the first established African-American comic book artist. I'm totally cool with that. Andrew Pepoy, who possesses a wealth of knowledge, first told me about Baker some months ago, "Consummate Good-girl artist...". This was no lie.
So as I move into this next phase of my professional life in comics, it will be with the added sense of something kindred, in addition to what my father shaped in me. The title to this entry is linked to a short article about Baker, who died young less than two years before my birth.
...you slick Devil!
I recently took time to take a gander at the Fables Crossover TPB and noticed my dedication; "For the debaser, the harbinger and the killer-of-clones. For the meta-wizard, for the statiCCreep and all the shifters of the shapes within and around us... and to the page ever being turned."
I realize now that this is less a dedication and more an incantation in the truest sense.
And so be it. There's never a guarantee of getting far by following in an other's footsteps, you'll simply remain always behind, following. Lost men have discovered amazing things!
Offers roll across my desk, sure. Sometimes my initial reaction to an idea tossed my way is, "Really?"...Generally this reaction is because I'd never in a million years think that I would be a fit for certain things. Other times it's because I may not feel that the title merits any serious consideration. The times I relish are when I'm surprised by an offer and think I'd be able to contribute to a line title, not "change" or "improve", but contribute.
Alas, a recent opportunity to expand my contribution to comics won't happen, despite the ardent advocacy of Jimmy Palmiotti. Oh well. This doesn't mean I'm leaving Jack of Fables. What I'm doing is starting a studio, several artists producing work for hire with yours truly in the lead. This should triple the pages I work on while maintaining quality. Basically it's just fucking time to change my studio dynamic.
At present there are no less than FOUR projects that I'm being considered for...wow.
All seem to be a pretty good fit. A couple are things I'm REALLY excited about, but I have to maintain an even strain and no, you can't ask me about them... I'm looking forward to working with other professional artists, whoever they may be...I'll begin the recruiting process once I find out what lands on my desk over the next few weeks.
This is that "new page" that needs to be turned ever so often in Life. At any rate, I've kept my productivity far too low for the last 10 years and now I'm looking forward to a new period of generating. Cheers to that!
Sunday, February 14, 2010
Our fiendish friends at Chicago's Wildclaw Theater are having a benefit on Saturday February 20th at the Viaduct Theater. Alex Wald, Dave Dorman and myself will be among the grip of artists on site doing live sketches of burlesque babes from Michelle L'Amours Chicago Starlets in horror-inspired accoutremente. These pieces (the art, not the babes..that I know of) will be up for auction during the frightivities to support the upcoming run of William Peter Blatty's "LEGION", Wildclaw's new production. Follow the linked title of this blog entry for all the details, then SHOW UP! I swear these people know how to throw a good time (and viscera) for the sake of entertainment. I'm thinking about donning a pair of blood-splattered coveralls for effect, no?